Lucknow Central! You’ll need good luck


Lucknow Central? So here’s a line from the film: There’s no justice. It’s either good luck or bad luck. Good advice if you’re planning to go watch it.

Because, there’s going to be no justice done to your time, money, or hopes. If you’re lucky, your cable operator wallah will call up during the show to discuss your latest plan and I suggest you do so in detail; if not, you’ll end up watching until the part where Farhan decides NOT to scale the walls of Lucknow Central Jail so that he can *** wait for it *** realize his dreams of playing in the jail’s band, of which HE is the only member who is even slightly tolerable, musically speaking.

Besides, he’s a convict, jailed and all, and I’m sure by now the government has his #Aadhar number. It’s not like he has any real, valid, comfortable career choices, except that he knows that he’s Farhan Akhtar in real life playing Kishen here and therefore, need not take the burden of thinking ‘Log Kya Kahenge’. He need not reason that the cops and the system don’t give two flying fucks about his band and his dreams and be they realized or not, they’re going to try their utmost to see that he gets back into the jug.

But, instead of thinking all of the above through, the makers invested all that time and energy into making sure that every single convict looks well-groomed, so well-groomed in fact, that I was expecting them to break out with a Sunny Leone-style ‘Layla’ item song any time now. Strangely it never came. It certainly wouldn’t have felt out of place.

So, banished are the zebra stripe uniforms and so is all the fluff off ALL of the men’s bodies, really ALL, even those who are not Farhan Akhtar (Yeah I noticed it, and so what if I notice such things!!!, huh?) For a long time I wondered which salon & spa services should be considered a product placement here. I kept looking for a clue but later I figured there was no need to split hairs… they were all gone… already… anyway.

This brings me to another funny thing about the movie: product placements. Come on, at least be subtle, man. You’re in a jail, not a mall. Different spelling, see? This Diana Penty is guzzling water from a pink coloured bottle of bottled water, very surreptitiously as if she’s expecting to find a clue in it. Good old H2O is the only thing that appears to be in colour in that scene.

Then there’s a brand of condoms Kishen is carrying in a mug on what seems to be his orientation day at Lucknow Central jail. Enough said.

And then, there’s an ecommerce website where they’re ordering stuff from, sitting in Lucknow Central Jail. Musical instruments C.O.D. Little Kishen and Gayatri opening those branded boxes as if kids opening their gifts from Santa on a Christmas morning. All this happening inside of Lucknow Central. The Lucknow Central jail. The flipping Lucknow Central Jail. Who cares about Log Kya Kahenge?

You know but I’ll tell you what: there’s a certain charm about these movies set in places like Lucknow. A non-metro no-nonsense real flesh-and-blood non-Karan Johar kind of charm. You’ll find it in tiny details and the ambience – like the lota party in ‘Toilet’, the lovela sweets in ‘Bareilly ki Barfi’… and the accent, Oh, the accent. Like how Rajkumar Rao did it in Bareilly, or how Usha Buaji in Lipstick under my burkha. Alia Bhatt and Shahid Kapur in ‘Udta Punjab’. It shows a certain commitment to the role. You won’t see that here. Kishen doesn’t care. He’s here to realise his dreams. Not his job to convince you, me, that he’s from Uttar Pradesh.

In Lucknow Central I found only about three things that had something to do with UP: Raja Bhaiya, Ravi Kishen, and a shot of my favourite dish Baati-Chokha. There was the jail signboard, not to forget.

Now comes the best part: The HAM scenes.

It’s my favourite part of any movie. This one had some but certain opportunities were missed, however. When Kishen is put in jail, his father is nowhere around to provide some worthy hamming and moral support. None of that jeep pulling away… tch! From undertrial to convict in a few seconds, facing capital punishment, Kishen keeps his smile on, even tells Gayatri to keep smiling. From being beaten within an inch of his life to being confined to a dark dungeon, Nothing. Kishen’s “rockstar” dreams crushed. Nothing. Being starved in jail. Nothing. Threatened. Nothing. Opportunities missed all through.

Once in a while a real ham comes along: One of Kishen’s band mates gets out on parole, to meet with his ‘girlfriend’ with whom he had been chatting all along from inside the jail (Don’t ask how, since convicts are not supposed to have a cellphone. Corruption, that’s how). He finds out she’s “settled”, with a bun in the oven. The guy is mighty pissed. How dare this woman go ahead and get a life while he is here serving a life sentence, doing her a favour talking to her and thinking only of her!!! How dare she! Angered, he tells her to get out of his sight lest he should kill her. Score!

The final one comes along when Kishen and his rock band is this close to making their plan a success. But if I tell you what happens next, this sequel to Rock On (jailhouse rock version) will lose all its magic. So I won’t.

Enjoy the weekend. Remember: There’s no justice. Only good luck or bad luck.


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